The Red Brush is a collection of biographies about woman writers in Imperial China peppered by their own writings. It starts from Ban Zhao (c. ) and ends in Qiu Jin () and also chronicles between them how the text types and women who were most likely to write changed in history/5. The Red Brush: Writing Women of Imperial China By Beata Grant and Wilt L. Idema One of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women’s writing of the imperial period ( B.C.E.– C.E.).Estimated Reading Time: 5 mins. · One of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women's writing of the imperial period. This anthology differs from previous works by offering a glimpse of women's writings not only in poetry but in other genres as well, including essays and letters, drama, religious writing, and narrative fiction.
伊维德（Wilt L. Idema），莱顿大学中国语言与文学荣誉教授、哈佛大学中国文学研究院教授。 Period ），以及与管佩达（Beata Grant）合著《彤管：中华帝国时代的女性书写》（The Red Brush: Writing Women of Imperial China），与奚如谷（Stephen H. West）合编《和尚. The Red Brush is a collection of biographies about woman writers in Imperial China peppered by their own writings. It starts from Ban Zhao (c. ) and ends in Qiu Jin () and also chronicles between them how the text types and women who were most likely to write changed in history. Wilt L. Idema is professor of Chinese literature at Harvard University. He is the translator of Meng Jiangnu Brings Down the Great Wall: Ten Versions of a Chinese Legend and the author (with Beata Grant) of The Red Brush: Writing Women of Imperial China.
One of the most exciting recent developments in the study of Chinese literature has been the rediscovery of an extremely rich and diverse tradition of women's writing of the imperial period. This anthology differs from previous works by offering a glimpse of women's writings not only in poetry but in other genres as well, including essays and letters, drama, religious writing, and narrative fiction. His publications of the last ten years include The Red Brush: Writing Women of Imperial China (with Beata Grant, ); Personal Salvation and Filial Piety: Two Precious Scroll Narratives of Guanyin and Her Acolytes (); Meng Jiangnü Brings Down the Great Wall: Ten Versions of a Chinese Legend (); Heroines of Jiangyong: Chinese Narrative Ballads in Women’s Script (); The White Snake and her Son (); Judge Bao and the Rule of Law: Eight Ballad-Stories from the Period The Red Brush is a collection of biographies about woman writers in Imperial China peppered by their own writings. It starts from Ban Zhao (c. ) and ends in Qiu Jin () and also chronicles between them how the text types and women who were most likely to write changed in history.
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